Art from last summer. That's my name. I really like this image and maybe I'll use it
for a VHS tape cover. It was taken from a little promo video I made for instagram.
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Nils Westdal · TAPE CASSETTE ARCHIVES 1995 - I Remember You (feat. Marissa Dodge) I finally started to digitize some of my old cassette tapes. I was most excited about this one in particular. This is a version of "I Remember You" that Marissa Dodge (Misty) and I recorded back in 1995. Marissa's vocals are so stunning and her piano voicings are super luxurious. I was going to EQ out some of the tape hiss but it kind of adds to the nostalgia of it all. This was engineered by Tony Axtell and I believe he actually was responsible for programming the brushes as well. He actually sampled the brushes and then programmed them. You can here how the bass and piano sound a little more human than the brushes. Sounds good to me though!
Clarifications, Works 1997-2000 originally titled Clarification was produced over a period of three years in Minneapolis, Boston, California and parts of Japan. This album was recorded utilizing mainly a Roland VS880 digital workstation at a time when a major shift in the recording industry was taking place which I was not oblivious to but maybe a little overwhelmed by. For me this was an era of total experimentation and this album is a wholesome documentation of it. Not only because of all the different recording mediums used but the approach to creating music in general is almost totally different on every composition. Sometimes being influenced by a single sample that led to a multitrack monstrosity or simply writing chord progressions on an unfamiliar instrument. Letting go and having fun with technology was also a key factor during this growth period. However, simply picking up my bass guitar and letting it guide me has always been the more natural approach and it is e...
Nils Westdal · Excerpt Three from Ephemeral Structures Live at Studio 667 Unearthed Music has release a surreal live performance from Ephemeral Structures, an experimental trio including Kyle Herskovits(DJ Zen Rock), John C.S. Keston and myself. We played an eighty minute set the night of March 26, 2004 for an intimate audience at Metro State University. I had a good time mindfully cleaning up the audio and mixing it down to a more listenable forty-five minute, nine song album. There were spots that were just too hot, distorted or had some extraneous weird electrical anomalies from living inside a MiniDisc (in my basement) for a decade and a half. Excerpt Three is one of the shortest pieces from the album that features a nice little Turntable and bass conversation. DJ Zen Rock